PETRA CAVITY ROOMS and

PETRA VERTICAL tunnel to the resonant chamber and discovery of MAGNETRON.

Discovery by Rudolf Bosnjak

To comprehend and understand my research work and my research explanations and my drawings you must be sound engineer or electronic engineer not archeologist. Explanations here are totally opposite from science of archeology.

Below image show what disappear in front of PETRA door.

Humans usually call this circular shape as TEMPLE but this shape has very specific purpose and if you read my research work and accept my discoveries I hope will comprehend and understand, if not you will still believe archeologist and fake explanation about knowledge of Nabatean people. Regards Rudolf Boschnjak) Bosnjak

PETRA INVISIBLE MAGNETRON.

Is this huge magnetron...

PETRA CAVITY ROOM ZERO

PETRA_CAVITY_ROOM_ZERO2.jpg (150573 bytes)

PETRA CAVITY ROOMS FROM ABOVE

Petra complex is huge magnetron...

Construction and working of Magnetron to comprehend and understand please go to read full article and information and come back after reading.

This is image visible every where, all line in RED, line in GREEN you can see them in all Buddhist, Hindu and Jews temples and orthodox and catholic churches and in all Islam Muslim mosque and is always told to humans as those lines represent: god, lord, and Allah. Now for the first time you have opportunity to comprehend and understand what is religion telling and what is electronic explanation for those lines and magnetic lines and electric lines and their movement.

MAGNETRON LINES - MAGNETRON LINIJE

RED LINE IN EPITROCHOID MOVEMENT SHAPE IN MAGNETRON IS SECRET OF FOUR RABBIT,
AND TO COMPREHEND AND UNDERSTAND WHAT IS FOUR RABBIT GO AND READ MY RESEARCH HERE.

This drawing explains all religious lies and scams of all religions that exist on planet earth for thousands of years and all the ignorance of all spiritual and spritualnih teachers, pastors, priests, bishops, popes, imams, mufti and all other religious liars, who do not know to explain nothing about it that they say and assure human sheep all these centuries that god, allah has but do not know that it draw. Here is a drawing of a god or allah, but as a magnetron.

PETRA_CAVITY_ROOMS_FROM_ABOVE.jpg (220350 bytes)

PETRA CAVITY ROOM ZERO

Petra, Wadi Musa, Jordan. The Treasury Al_Khazna

The Treasury Al Khazna, location Petra, Wadi Musa, Jordan.

PETRA CAVITY ROOM FROM VERANDAH

PETRA CAVITY ROOM FROM VERANDAH V4

PETRA - THIS IS MAIN VERANDAH ENTRANCE, LEFT and RIGHT SIDE.

There is doors to left side room space I call V4 and dooors to right side room I call V5.

HERE IS MY ATTEMPT TO EXPLAIN PETRA MAIN VERANDAH TO COMPREHEND AND UNDERSTAND WHAT IT IS: Whip delay line meander. It is same in shape and form as MAIN VERANDAH IN PETRA ENTRANCE, has doors to left side room I call V4 and has doors to right side room I call V5.

PETRA BOTH SIDE - PILLAR DELAY LINE MEANDER

MAIN VERANDAH IN PETRA ENTRANCE IS ACTUALLY WHIP DELAY LINE, AS OLD GREEK PEOPLE CALL MEANDER. When compare PETRA MAIN VERANDAH and I call PILLARS DELAY LINE (meander) I come to same conclusion that BOTH PARTS are same device, but from much bigger device...

A meander, in general, is a bend in a sinuous watercourse or river. A meander forms when moving water in a stream erodes the outer banks and widens its valley, and the inner part of the river has less energy and deposits silt.

In reality this is kind of microwave device and can be used to convert electric current into electromagnetic waves. In basic this is a detailed (or linear) magnetron.

Only problem appear that PETRA MAGNETRON IS SO HUGE in dimensions and wavelength can not be in microwave frequencies.What was frequencies used in PETRA MAGNETRON is still part of my research, so in bottom text I write.

WHERE WAS IN PETRA - Ultra-Wide Band Multifunction Antennas

To comprehend and understand this PETRA - Ultra-Wide Band Multifunction Antennas, please go to read full article and information and come back after reading.

PETRA_MEANDERING_CALLED_ZIG_ZAG_SINUOUS.jpg (70997 bytes)

Classic sinuous shape with linear growing rate τ (right) sinuous shape with meandering (informally called zig zag sinuous).

Below is few images showing what was PETRA - Ultra-Wide Band Multifunction Antennas and this carved drawing is in Christian religion false explanation as ALTAR...

Many years I spent do decipher this Marble altar detail on Abbey of Sant Pietro image and all explanation from carving text and translation was wrong until I come to comprehend and understand what is Ultra-Wide Band Multifunction Antenna, because this was explanation for this drawing.

BUT, WHAT I DISCOVER 6 MARCH 2015 IS THAT WHAT IS SHOWN HERE IS TRULY AND ACTUALLY EXPLANATION HOW WORKING MAGNETRON. IT IS FULL DRAWING AND PRINCIPE HOW WORKING MAGNETRON IN DIFFERENT PHASES OF WORKING STATES WITH FULL DETAILS.

PETRA_Marble_altar_detail_Abbey_of_Sant_Pietro.jpg (79369 bytes) PETRA_MAGNETRON_INSIDE_HIGH_FREQUNCY_ENERGY_0UTPUT.jpg (47442 bytes)

PETRA - Marble altar detail Abbey of Sant Pietro in Valle Ferentillo 1996 Florence Italy. Christian religion false explanation as ALTAR...OLTAR.

PILLARS DELAY LINE IN MEANDER

PETRA_MAGNETRON_INSIDE_HIGH_FREQUNCY_ENERGY_0UTPUT.jpg (47442 bytes)

PETRA Lombard Christian altar. PETRA_Lombard_Christian_altar1.jpg (159632 bytes)

Classic shape with linear growing rate visible from Lombard Christian altar as meandering (informally called zig zag sinuous). Christian religion false explanation as ALTAR...

PETRA_MAGNETRON_INSIDE_HIGH_FREQUNCY_ENERGY_0UTPUT.jpg (47442 bytes)

PETRA BAN KU LIN PLOCA

Many years I spent do decipher this Ban Kulin board image and all explanation from carving text and translation was wrong until I come to comprehend and understand what is Ultra-Wide Band Multifunction Antenna, because this is only explanation for this drawing.

Classic shape with linear growing rate visible from as meandering (informally called zig zag sinuous).

PETRA EXTERIOR WALL OF COPTIC CHURCH MOHARRAK.

EXTERIOR WALL OF COPTIC CHURCH MOHARRAK.

PETRA_MAGNETRON_INSIDE_HIGH_FREQUNCY_ENERGY_0UTPUT.jpg (47442 bytes)

PETRA Deir Al Moharrak BOX

Deir Al Moharrak BOX

PETRA STECAK BORJE, ALBANIJA PETRA_MAGNETRON_INSIDE_HIGH_FREQUNCY_ENERGY_0UTPUT.jpg (47442 bytes)

Many years I spent do decipher this image from STECHAK BORJE, ALBANIJA and all explanation from carving text and translation was wrong until I come to comprehend and understand what is Ultra-Wide Band Multifunction Antenna, because this is only explanation for this drawing.

PETRA_MAGNETRON_INSIDE_HIGH_FREQUNCY_ENERGY_0UTPUT.jpg (47442 bytes)

PETRA Ossuary from Jifna Jordan 70A.D.

Ossuary from Jifna Jordan 70A.D.

Many years I spent do decipher this image from Ossuary from Jifna Jordan 70A.D. and all explanation from carving text and translation was wrong until I come to comprehend and understand what is Ultra-Wide Band Multifunction Antenna, because this is only explanation for this drawing.

NOW SEE SAME RADIATION PATTERNS FROM BOSNIA STECHAK

PETRA_MAGNETRON_INSIDE_HIGH_FREQUNCY_ENERGY_0UTPUT.jpg (47442 bytes)

PETRA_STECAK_GORNJA_ZGOSCA.jpg (194726 bytes)

Many years I spent do decipher this image from stechak from Gornja Zgoscha, Bosnia and all explanation from carving text and translation was wrong until I come to comprehend and understand what is Ultra-Wide Band Multifunction Antenna, because this is only explanation for this drawing.

PETRA - PILLARS DELAY LINE IN MEANDER WAVEFORM IN ROTATION

PETRA PILLARS DELAY LINE IN MEANDER

This is my hand drawing what was happening in ANCIENT PAST TIME IN PETRA MEANDER SPACE PILLARS DELAY LINE when RECEIVE RADIATION PATTERN I MARK WITH RED ARROWS and ENTER BETWEEN PILLARS DELAY LINE INTO VERANDAH from Ultra Wide Band Multifunction Antenna in Figure 2.

PETRA_INVISIBLE_MAGNETRON.jpg (120725 bytes)

PETRA FIG2 CONICAL RADIATION T0 PILLARS DELAY LINE. PETRA AIR GAP TO THE Ultra Wide Band Multifunction Antenna in Figure 2.

RADIATION PATTERN IS SENT FROM CONICAL Ultra Wide Band Multifunction Antenna in Figure 2 to the PILLARS DELAY LINE.

PETRA_SPIRAL_ANTENNA_CUTS_LOW_PROFILE.jpg (150925 bytes)

To achieve a ZL/Z0 value that is close to the ideal 1, the parameters above should be carefully tuned

Frequency	Wavelength	1/4 Wavelength	1/20 Wavelength	1/100 Wavelength
1 MHz	300 meters	75 meters	15 meters	3 meters
10 MHz	30 meters	7.5 meters	1.5 meters	30 cm
50 MHZ	6.0 meters	1.5 meters	30 cm	6.0 cm
100 MHz	3.0 meters	0.75 meters	15 cm	3.0 cm
200 MHz	1.5 meters	37.5 cm	7.5 cm	1.5 cm
300 MHz	1.0 meter	25 cm	5.0 cm	1.0 cm
400 MHz	0.75 meters	18.8 cm	3.75 cm	7.5 mm
500 MHz	0.6 meters	15 cm	3.0 cm	6.0 mm
600 MHz	0.5 meters	12.5 cm	2.5 cm	5.0 mm
700 MHz	42.9 cm	10.7 cm	2.15 cm	4.29 mm
800 MHz	37.5 cm	9.38 cm	1.88 cm	3.75 mm
900 MHz	33.3 cm	8.33 cm	1.67 cm	3.33 mm
1.0 GHz	30 cm	7.5 cm	1.5 cm	3.0 mm
1.2 GHz	25 cm	6.25 cm	1.25 cm	2.5 mm
1.4 GHz	21.4 cm	5.36 cm	1.07 cm	2.14 mm
1.6 GHz	18.8 cm	4.7 cm	9.4 mm	1.88 mm
1.8 GHz	16.7 cm	4.18 cm	8.35 mm	1.67 mm
2.0 GHz	15 cm	3.75 cm	7.5 mm	1.5 mm
2.5 GHz	12 cm	3.0 cm	6.0 mm	1.2 mm
3.0 GHz	10 cm	2.5 cm	5.0 mm	1.0 mm
4.0 GHz	7.5 cm	1.88 cm	3.75 mm	0.75 mm
5.0 GHz	6.0 cm	1.5 cm	3.0 mm	0.6 mm
10 GHz	3.0 cm	7.5 mm	1.5 mm	0.3 mm

Wave lenght - Frequency

1 meter - 300 MHz - 300 MHz Oscillators Using SAW Resonators and Delay Lines or PILLARS DELAY LINE (meander).

100-300 MHz Frequency Range Wave Resonator
10 meters - 30 MHz
30 meters - 10 MHz
100 meters - 3 MHz

Room size = ~0.5 wave lengh

FOR SOUND WAVES or UNKNOWN WAVES RESONATOR CAVITY ROOMS

PETRA CAVITY RESONATOR ROOM

Resonator, oscillator, energy flow.

Резонатор , генератор, энергетический поток

Resonator is an object that can perform free damped oscillatory process after a single energy impact on this object.
Resonator is characterized by self-excitation frequency and quality factor.
Quality factor determines the damping of free vibrations; the higher the quality factor, the more of free vibrations the resonator can perform.
Once received a portion of the energy, the resonator is spending it with every oscillation.
Some of the energy spends on heat due to friction forces.
Another portion of the energy is transferred to the physical medium as wave energy in a certain frequency band.
The smaller the bandwidth in which wave energy is transmitted and less friction loss, the higher the quality factor of the resonator.

There are some different kinds of resonators:
1. Pendulum
2. String
3. Bell
4. Camerton (tuning fork)
5. Quartz crystal
6. Atomic resonator.

Resonators may be different, but they are described by the same equations of wave processes.
The essence of the oscillating process is harmonic transition of energy from the potential into kinetic form and back, for a certain period of time.

In order to prevent oscillatory process damping in the resonator, it is necessary to compensate the energy loss of each oscillation period. Devices that do this are called oscillators. The oscillator must have connection of resonator to the energy flow in the time interval divisible to the period of oscillation of the resonator.

Energy flow is a stream of particles moving under the force created by the energy potential difference between two points in space.
For emergence of potential the force is needed which can act on the particle of energy flow.
Forces can have different causes, but calculating of its actions is described by the same equations.

For example, let’s consider two similar elements of space and put there 50 particles into one and 10 particles into another.
Assume that these are the air molecules or electrons so that there is a force of repulsion between them.
The force of the interaction will determine the energy potential F1 and F2 of these elements of space.
F2 potential will be a bigger since the bigger repulsive force will act on the particles.

Резонатор - это объект, который может совершать свободный затухающий колебательный процесс после однократного энергетического воздействия на объект.
Резонатор характеризуется собственной частотой возбуждения и добротностью.
Добротность определяет затухание свободных колебаний, чем выше добротность, тем больше свободных колебаний совершит резонатор.
Резонатор, получив порцию энергии, расходует её с каждым колебанием.
Часть энергии теряется на нагрев за счёт сил трения.
Другая часть энергии передается в физическую среду в виде волновой энергии в определённой полосе частот.
Чем меньше ширина полосы частот, в которой передается энергия, и меньше потери на трение, тем выше добротность резонатора.

Резонаторы бывают разные:
1.Маятник
2.Струна
3.Колокол
4.Камертон
5.Кварцевый резонатор
6.Атомный резонатор.

Резонаторы могут быть различны, но описываются они одинаковыми уравнениями волновых процессов.
Суть колебательного процесса заключается в гармоническом переходе энергии из потенциальной в кинетическую форму и обратно, за определённый период времени.

Чтобы колебательный процесс не затухал в резонаторе, нужно компенсировать потерю энергии каждый период колебания.
Устройства, которые это делают, называют генераторами.
Генератор должен подключать резонатор к энергетическому потоку через интервал времени кратный периоду колебания резонатора.

Энергетический поток - это поток частиц двигающихся под действием силы создаваемой разницей энергетического потенциала между двумя точками пространства.
Для возникновения потенциала нужна сила, которая может действовать на частицу энергетического потока.
Силы могут иметь различные причины возникновения, но вычисления её действия описываются одинаковыми уравнениями.

Например, возьмём два одинаковых элемента пространства и поместим в одно 50 частиц, а в другое 10 частиц.
Допустим это молекулы воздуха или электроны, между ними существует сила отталкивания.
В этих элементах пространства сила взаимодействия определит энергетический потенциал f1 и f2.
Потенциал f2 будет большим, так как на частицы будет действовать большая сила отталкивания.

PETRA CAVITY ROOM 3DOORS IN CHAMBER

PETRA CAVITY ROOM SHAPE JUST FROM MAIN DOOR RIGHT CORNER

PETRA_CAVITY_ROOM_SHAPE_JUST_FROM_MAIN_DOOR_RIGHT_CORNER2.jpg (218042 bytes)

PETRA CAVITY ROOM 3DOORS IN CHAMBER AND SHAPE JUST FROM MAIN DOOR RIGHT CORNER. WHAT WAS PURPOSE FOR THIS SHAPE?

PETRA CAVITY ROOM FRONT DOOR EXIT

PETRA CAVITY ROOM LEFT PART FROM FRONT DOOR ENTRANCE/EXIT

PETRA CAVITY ROOM LEFT DOOR SHAPE

PETRA CAVITY ROOM INSIDE LEFT CHAMBER DOOR SHAPE

VISIBLE DIFFERENT IMAGES ON WALLS USING EQUALISATION PROCESS IN COREL PHOTO PAINT.

PETRA CAVITY ROOM LEFT CHAMBER DOOR.

PETRA CAVITY ROOM AS RESONANT CHAMBER

LEFT DOOR AS RESONANT CHAMBER V2L CENTARL RESONANT CHAMBER DOOR

CENTRAL DOOR AS RESONANT CHAMBER V1

RIGHT DOOR DOOR AS RESONANT CHAMBER V2R

PETRA CAVITY ROOM PETRA CAVITY ROOM CHAMBER CEILING.

PETRA CAVITY ROOM AS RESONANT CHAMBER VISIBLE CEILING

Below is is internal drawing for cavity (sound) resonator rooms in PETRA.

Shape looks to me as microstrip microwave antenna, but huge.

All space-rooms is empty. What was inside in ancient time nobody know.

But if use present knowledge I am coming near solution what was purpose of PETRA....

Please, what you see when looking in those drawings.

What I discover is a simple huge cubical cut out of solid rock, with three small ante-chambers and I will discover the clues that may lead us to unraveling the so called Mystery of the Treasury Monument.

LISTEN SOUND FROM THE SKY AUDIO

Sound oscillators running on air flows.

Звуковые генераторы на воздушных потоках.

The oscillator must efficiently convert the energy flow into the wave energy of medium.
For this purpose it is intended.
Sound oscillator running on air energy flow is very effective.

Natural:
A. The human vocal apparatus.
It is a multimode oscillator of sound waves that runs on energy of compressed air.
It has several resonators - the vocal cords (85-255 Hz).
The transmitter includes many parts (pharynx, tongue, mouth, teeth, lips, etc.) and is capable to modulate the sound carrier frequencies by overtones.
Used by human for the broadcasting informational exchange in an elastic medium via the "voice-hearing" interface.
It is highly efficient and versatile.
It provides an operating distance of up to hundreds of meters in the air.

B. Vocal apparatus of a whale.
It is able to generate infrasound frequencies in band of 10-40 Hz
It is very efficient.
It provides the range of signal transmission in the water up to 1300 km.

Created by human:
A. Wind musical instruments (flute, trumpet, horn, etc.)
These are audio oscillators working on energy airflow.
Have several built-in resonators of different frequencies.
Have modulators of overtones and elements of the signal amplitude amplification.

B. Whistle.
It is the simplest audio oscillator that runs on energy of the air flow.

C. Pyramidal infrasound oscillators.
Descriptions of infrasound oscillators see in PIRAMIDA.

All oscillators, transmitters and receivers operate on the same principles which are based on the resonance properties of the objects and wave energy transfer method.
Therefore, the operation of these devices can be best explained by the example of electrical devices.
Since modern civilization is greatly succeeded in this.

Генератор должен эффективно превращать энергетический поток в волновую энергию среды.
Для этого он и предназначен.
Звуковые генераторы работающие на воздушном энергетическом потоке весьма эффективны.

Начнём с самых древних:
1. Голосовой аппарат человека.
Представляет из себя многомодовый генератор звуковых волн, работающий на энергии сжатого воздуха.
Имеет несколько резонаторов - голосовых связок (85..255 Гц).
Входит в состав передатчика (глотка, язык, ротовая полость, зубы, губы) способного модулировать несущие звуковые частоты обертонами.
Используется человеком для широковещательного обмена информацией в упругой среде через интерфейс "голос-слух".
Весьма эффективен и универсален.
Обеспечивает дальность связи до сотен метров в воздухе.

2. Голосовой аппарат кита.
Способен генерировать инфразвуковые частоты в районе 18-30 Гц.
Весьма эффективен.
Обеспечивает наибольшую дальность передачи сигнала в воде до 1300км.

Созданные человеком:
1. Духовые музыкальные инструменты. (Флейта, труба, валторна и др.)
Звуковой генератор работающий на энергии воздушного потока.
Имеет несколько встроенных резонаторов на разные частоты.
Имеет модуляторы обертонов и элементы усиления амплитуды сигнала.

2. Свисток
Простейший звуковой генератор на энергии воздушного потока.

3. Пирамидальные инфразвуковые генераторы.
Описание этих звуковых генераторов см. PIRAMIDA

Все генераторы, передатчики и приёмники работают по общим принципам.
В основе которых лежат резонансные свойства объектов и передача энергии волновым способом.
Поэтому работу этих устройств лучше всего можно объяснить на электрических устройствах.
Так как современная цивилизация здесь сильно преуспела.

The layout of the rooms Treasury Monument is quite simple.

Floor plan of the Treasury Monument.

PETRA CAVITY ROOMS FROM ABOVE PETRA CAVITY ROOM2 NEGATIVE

Aleksander Kushelev wrote: Rudolf find important information: It is fragment of electromagnetic generator in Petra megalithic complex.

Shape looks to me as microstrip microwave antenna, but huge.

PETRA MICROSTRIP ANTENNA SHAPE

As the diagram below illustrates, there are three main chambers: one very large central one, and two smaller ones right and left of the porch. The main central chamber had a rear-back chamber plus two side niches. The chamber to the right of the porch also has a large back niche.

RESONATOR DRAWING FOR 4GHz FREQUENCY DESIGN BY ALEKSANDER KUSHLEV

PETRA MAIN ROOM IS AS: RESONATOR DRAWING FOR 4GHz FREQUENCY DESIGN BY ALEKSANDER KUSHLEV.

Floor plan of the Treasury Monument.

PETRA_CAVITY_ROOM2_FROM_ABOVE.jpg (18904 bytes) PETRA_CAVITY_ROOM2_FROM_ABOVE_NEGATIVE.jpg (18902 bytes)

Aleksander Kushelev wrote: Rudolf find important information: It is fragment of electromagnetic generator in Petra megalithic complex.

Shape looks to me as microstrip microwave antenna, but huge.

PETRA MICROSTRIP ANTENNA SHAPE

PETRA CAVITY ROOMS

Aleksander Kushelev wrote: Rudolf find important information: It is fragment of electromagnetic generator in Petra megalithic complex.

Shape looks to me as microstrip microwave antenna, but huge.

PETRA_INVISIBLE_MAGNETRON.

HERE is visible my hand drawing view of internal PETRA cavity cube rooms in blue color with cavity circle in orange color and in green color HORN ANTENNA for INPUT/EXIT waves (this is option) between tunnel and PETRA cavity cube rooms (resonant chamber).

PETRA_CAVITY_ROOM_RUDOLF_BOSNJAK_VISION.jpg (713699 bytes)

PETRA - RESONANT CAVITY MAGNETRON FIRST HAND DRAWING DIAGRAM

PETRA CAVITY ROOMS CHAMBERS INSIDE STONE ROCK.

PETRA RESONANT CAVITY MAGNETRON DIAGRAM

PETRA - RESONANT CAVITY MAGNETRON DIAGRAM

PETRA RESONANT CAVITY MAGNETRON DIAGRAM

Image below show visible PETRA VERTICAL tunnel to PETRA cavity cube rooms or resonant chamber.

PETRA CAVITY ROOM AND HORIZONTAL tunnel to the resonant chamber.

PETRA_INVISIBLE_MAGNETRON_VISIBLE.jpg (119385 bytes)

PETRA CAVITY ROOM AND view from VERTICAL tunnel to the resonant chamber. See in below image mark with TL same thing.

image6.jpg (41425 bytes)

I call VERTICAL tunnel to the resonant chamber mark in Figure 2 with TL in Carter’s conical monopole (right)

Image below show visible VERTICAL slit tunnel...

From this tunnel was comming wire mark with TL in above image Figure 2.

PETRA_CAVITY_ROOM_AND_HORIZONTAL tunnel to the resonant chamber 0THER_SIDE.jpg (120262 bytes)

View from PETRA CAVITY ROOM as resonant chamber to the tunnel and missing parts is FRAME FOR 1 SOUND inside tunnel.

Image below is visible as my hand drawing view PETRA VERTICAL tunnel to PETRA cavity cube rooms or resonant chamber.

HERE WAS IN PETRA - Ultra-Wide Band Multifunction Antennas

From this tunnel was comming wire mark with TL in above image Figure 2.

I call VERTICAL tunnel to the resonant chamber mark in Figure 2 with TL in Carter’s conical monopole (right) which radiate waves in conical shape to the front PETRA MAIN VERANDAH PILLARS delay line meander.

PETRA CAVITY ROOM AND VERTICAL TUNNEL FROM ABOVE PETRA_CAVITY_ROOM_AND_VERTICAL_TUNNEL_FROM_ABOVE1.jpg (44203 bytes)

Now, bottom of this images SHAPE is shown IN HINDU VEDA AS VEDIC MOUNT MERU...

From this tunnel was comming wire mark with TL in above image Figure 2.

PETRA CAVITY ROOM AND VERTICAL TUNNEL FROM ABOVE

VEDIC_MOUNT_MERU.jpg (37169 bytes)

SHAPE is shown IN HINDU VEDA AS VEDIC MOUNT MERU...

Speed of Sound in Air in PETRA CAVITY ROOMS

The speed of sound in dry air is given approximately by

sspe4.gif (6328 bytes)

for temperatures reasonably close to room temperaature, where T_C is the celsius temperature,

This calculation is usually accurate enough for dry air, but for great precision one must examine the more general relationship for sound speed in gases. If you measured sound speed in your oven, you would find that this relationship doesn't fit. At 200°C this relationship gives 453 m/s while the more accurate formula gives 436 m/s. This sound speed does not apply to gases other than air, for example the helium from a balloon.

It is important to note that the sound speed in air is determined by the air itself. It is not dependent upon the sound amplitude, frequency or wavelength.

Sound Propagation in PETRA CAVITY ROOMS

Sound propagates through air as a longitudinal wave. The speed of sound is determined by the properties of the air, and not by the frequency or amplitude of the sound. Sound waves, as well as most other types of waves, can be described in terms of the following basic wave phenomena.

Interference of Sound in PETRA CAVITY ROOMS

Two traveling waves which exist in the same medium will interfere with each other. If their amplitudes add, the interference is said to be constructive interference, and destructive interference if they are "out of phase" and subtract. Patterns of destructive and constructive interference may lead to "dead spots" and "live spots" in auditorium acoustics.

Interference of incident and reflected waves is essential to the production of resonant standing waves.

Interference has far reaching consequences in sound because of the production of "beats" between two frequencies which interfere with each other.

Standing Waves in PETRA CAVITY ROOMS

The term standing wave is often applied to a resonant mode of an extended vibrating object. The resonance is created by constructive interference of two waves which travel in opposite directions in the medium, but the visual effect is that of an entire system moving in simple harmonic motion. The sketches illustrate the fundamental and second harmonic standing waves for a stretched string.

The modes of vibration associated with resonance in extended objects like strings and air columns have characteristic patterns called standing waves. These standing wave modes arise from the combination of reflection and interference such that the reflected waves interfere constructively with the incident waves. An important part of the condition for this constructive interference for stretched strings is the fact that the waves change phase upon reflection from a fixed end. Under these conditions, the medium appears to vibrate in segments or regions and the fact that these vibrations are made up of traveling waves is not apparent - hence the term "standing wave".

I send e-mail to Jordan Museum asking them to send me all dimension inside with all spaces and rooms inside and from main entrance and dimension of columns and spaces between them. I hope I will get answer.

PETRA CAVITY ROOM STANDING WAVE REFELCTION

PETRA CAVITY ROOMS WAVE: PROPAGATION, RESONANCE, STANDING WAVES, STRINGS, AIR COLUMN, REFLECTIONS, REFRACTION, DIFFRACTION, SOUND REPRODUCTIONS and lot more.

The behavior of the waves at the points of minimum and maximum vibrations (nodes and antinodes) contributes to the constructive interference which forms the resonant standing waves. The illustration above involves the transverse waves on a string, but standing waves also occur with the longitudinal waves in an air column. Standing waves in air columns also form nodes and antinodes, but the phase changes involved must be separately examined for the case of air columns.

PETRA CAVITY ROOM VOLUME 1 FROM ABOVE

Displacement and Pressure in PETRA CAVITY ROOMS

The standing waves associated with resonance in air columns have been discussed mainly in terms of the displacement of air in the columns. They can also be visualized in terms of the pressure variations in the column. A node for displacement is always an antinode for pressure and vice versa, as illustrated below. When the air is constrained to a node, the air motion will be alternately squeezing toward that point and expanding away from it, causing the pressure variation to be at a maximum. This view of resonant modes in terms of pressure waves makes it easier to see why the mouthpiece end of a wind instrument is a node for the resonances. For example, the clarinet is acoustically a closed-end cylindrical air column because the mouthpiece end acts as a pressure antinode. An oboe is induced to produce its upper register by opening a hole near the mouthpiece, releasing pressure to make that point a pressure node and therefore a displacement antinode.

PETRA CAVITY ROOM VOLUME 2 FROM ABOVE

Anode block magnetron energy converter from below is very simailar to my hand drawing above but it is not same, just similar, now when I know what is what I can go further in my reserch.

PETRA ORIGINAL CAVITY MAGNETRON DEVELOPED 1940 YEAR

LEFT IS: ORIGINAL CAVITY MAGNETRON DEVELOPED 1940 YEAR.

This is called the Anode Block Cavity Magnetron energy converter and probably this device was in space I call V1 or resonant chamber and in my research I use sound waves for easy explanation for reflection in PETRA VERANDAH MEANDER SPACE, remember this is similar only in this part of my research.

Pressure and Displacement, Air Column in PETRA CAVITY ROOMS

PETRA CAVITY ROOM VOLUME 1, VOLUME2, VOLUME 3 FROM ABOVE

PETRA CAVITY ROOM VOLUME 1, VOLUME 2, VOLUME 3 FROM ABOVE

PETRA CAVITY ROOM FROM VERANDAH V4

PETRA - THIS IS MAIN VERANDAH ENTRANCE, LEFT and RIGHT SIDE.

There is doors to left side room space I call V4 and dooors to right side room I call V5.

PETRA CAVITY ROOM FROM VERANDAH

PETRA RESONANT CAVITY MAGNETRON DIAGRAM

PETRA - RESONANT CAVITY MAGNETRON DIAGRAM AND VISIBLE ROOM SPACE V2L and V2R.

Below is visible my hand drawing view from above of internal PETRA cavity cube rooms and possible reflection, possible resonance, possible diffraction and possible amplification and lot more complex waves which appear between so many spaces inside...

PETRA CAVITY ROOM VOLUME 1, VOLUME 2, VOLUME2L, VOLUME2R, VOLUME 3, VOLUME 4, VOLUME 5 VOLUME 5, VOLUME 5A, VOLUME 6 FROM ABOVE

PETRA CAVITY ROOMS VOLUME 1, VOLUME 2, VOLUME 2Left, VOLUME 2Right, VOLUME 3, VOLUME 4, VOLUME 5, VOLUME 5A, VOLUME 6 FROM ABOVE.

As is visible from my personal drawings, WHICH IS NOT FINISHED YET, PETRA CAVITY ROOMS is very complex system for kind of waves: RECEIVING or TRANSMITTING or GENERATING or PRODUCING SOMETHING, AND WITH HUMAN PRESENT KNOWLEDGE AND WHAT I FOUND LOOKS LIKE ALL THIS Rx, Tx, Generator SYSTEMS ARE EMBEDDED IN PETRA ROOMS...and all parts from inside and outside are dismantled in very distant parts and are gone...Most important: THIS IS NOT TOMB AS ARCHEOLOGIST CLAIMS for years.

PILLARS IN FRONT OF PETRA CAVITY RESONANCE ROOM

PETRA_CAVITY_ROOM_PILLARS.jpg (138374 bytes) PETRA_CAVITY_ROOM_PILLARS2.jpg (87459 bytes)

PETRA_CAVITY_ROOM_PILLARS1.jpg (243967 bytes)

PETRA CAVITY ROOM COLUMN REMOVED FRAME FOR STRING WIRE

I MARK WITH RED ARROW WHERE WAS TOP REMOVED FRAME FOR STRING WIRE AND WITH GREEN ARROW WHERE WAS MIDDLE SUPPORT REMOVED FRAME FOR STRING WIRE BETWEEN PILLARS.

String Properties - Where string or strings are installed in PETRA CAVITY ROOMS

The vibration of the strings on stringed instruments have the form of standing waves which produce a fundamental frequency and all harmonics of that fundamental frequency simultaneously. These frequencies depend upon the tension, mass and length of the string. The harmonics make the sound timbre fuller and richer than the fundamental alone. The particular mix of harmonics present depends upon the method of excitation of the string.

PETRA CAVITY ROOM COLUMN REMOVED FRAME FOR STRING WIRE

PILLARS IN FRONT OF PETRA CAVITY RESONANCE ROOM I MARK WITH RED LINE AND RED ARROW HEIGHT OF AVERAGE HUMAN.

B. Whistle.
It is the simplest audio oscillator that runs on energy of the air flow.

OUR EARTH SCIENTIST KNOW FOR 2 SLIT SOUND EXPERIMENT

AND IN PETRA IS WORKING MODEL WITH 3 SLIT SOUND EXPERIMENT

PETRA CAVITY ROOM FROM ABOVE FRONT DOOR 3 SLIT SOUND REFELECTION

PETRA CAVITY ROOM FROM ABOVE WHERE 1 SOUND FREQUENCY ARRIVE FROM RESONANT TUNNEL SLIT IN SPACE V6 FROM STONE ROCK OPPOSITE TO THE FRONT COLUMNS,

PETRA_CAVITY_ROOM_AND_HORIZONTAL tunnel to the resonant chamber 0THER_SIDE.jpg (120262 bytes) PETRA CAVITY ROOM AND VERTICAL TUNNEL FROM ABOVE

PETRA_CAVITY_ROOM_COLUMN_REMOVED_FRAME FOR_STRING_WIRE2.jpg (19575 bytes)

VIEW FROM WHERE 1 SOUND FREQUENCY ARRIVE FROM RESONANT TUNNEL TO THE PETRA CAVITY ROOM PILLARS.

AND BETWEEN EACH OF 2 COLUMNS WAS IN DISTANT PAST KIND OF WHISTLE STRING OR WIRE I MARK THEM WITH THIS COLORS: ORANGE, PINK and GREEN

AND THIS 3 SLIT PRODUCE EACH OF THEM WITH 1 SOUND FREQUENCY WHICH ARRIVE FROM RESONANT TUNNEL AND PRODUCE FOLLOWING:

1 - ORANGE DTMF (Dual Tone Multifrequency) SOUND,

2 - PINK DTMF (Dual Tone Multifrequency) SOUND and

3 - GREEN DTMF (Dual Tone Multifrequency) SOUND,

AND NOW ALL THOSE 3 MIX DTMF SOUNDS ENTRY INTO

PETRA RESONANT CHAMBER IN: VOLUME 2, VOLUME 3, VOLUME 4, VOLUME 5, VOLUME 5A....

IMPORTANT TO UNDERSTAND: What I call WHISTLE STRING OR WIRE, COULD BE ANY SOURCE OF VIBRATION or FREQUENCY with MODULATION...

This is very, very complex and complicating system for explanation for kind of vibration of incoming and outgoing (sound) or other waves and interference between all of them...

Wave lenght - Frequency

1 meter - 300 MHz - 300 MHz Oscillators Using SAW Resonators and Delay Lines or PILLARS DELAY LINE (meander).

100-300 MHz Frequency Range Wave Resonator
10 meters - 30 MHz
30 meters - 10 MHz
100 meters - 3 MHz

Room size = ~0.5 wave lengh

Air Column Instruments - Where column instruments are installed in PETRA CAVITY ROOMS

The woodwind instruments use only the first few resonances of air columns and depend upon opening holes in the sides of the air columns to ascend in pitch. The brass instruments employ a large number of resonances (harmonics) of their air columns and make use of valves or slides to lengthen the air columns for a downward progression of pitches.

Air Column Excitation in PETRA CAVITY ROOMS

While the frequencies produced by an air column instrument depend upon the type of column, the timbre of the sound is significantly influenced by the method of excitation of the air column. The flute and the recorder, as well as diapason organ pipes, are excited by blowing air over an edge. This edgetone can be altered by changing airstream velocity or the distance between slit and edge, so that an upper register is possible.

Other woodwinds may use a single reed (clarinet, saxophone) or a double reed (oboe, bassoon) to excite the air column. Such instruments achieve their upper register with the use of a register key which destroys the lowest mode of vibration of the air column and forces the column to vibrate at its next highest harmonic. For the clarinet this upper register is the third harmonic, but for the other woodwinds, it is an octave up because they are conical air columns.

Air Column Registers in PETRA CAVITY ROOMS

The playing range of woodwind instruments is extended by the existence of upper registers which allow them to excite upper harmonics of the air columns. In the flute the process is called overblowing. The upper register is an octave up in such instruments since they act as open-ended cylinders.

Other woodwinds achieve their upper register with the use of a register key which destroys the lowest mode of vibration of the air column and forces the column to vibrate at its next highest harmonic. For the clarinet this upper register is the third harmonic, but for the other woodwinds, it is an octave up because they are conical air columns.

PETRA ROOMS BELOW MAIN CAVITY ROOMS

PETRA_CAVITY_ROOM_ROOM_BELOW.jpg (283654 bytes)

To be continued...

Aleksander Kushelev wrote: Rudolf find important information: It is fragment of electromagnetic generator in Petra megalithic complex.

Regards Rudolf Bosnjak